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The leader of the attackers invites Tanagyaw, the boy, to come home with him, but the boy refuses. Paniguan offers him chew as a token of their marriage, but he says that he is not interested. Agyu is surprised to find his son accompanied by a young lady.When he returns home, however, he finds Tanagyaw in his house. Asked about her identity, the maiden insists on marrying Tanagyaw. After some time, Agyu’s country itself is endangered by invaders coming from across the sea.When Banlak hears this, he wants to return to his wife. When the betel nut and pinipi or young rice have been distributed, the people feel a new life coming to them.
The kepu-unpu-un is a standard narrative, although slightly different versions of it exist, about the history of Agyu’s family and how they fled to Nalandangan and became immortal. The sengedurug, the part that is chanted, continues the history and deals with the continuing adventures of Agyu and his relatives in Nalandangan, a paradise on earth.199), “chanted in a drawling manner” without the accompaniment of music or dance.The likuen (melody) is usually determined by the incidents being narrated.Buy-anon, the daughter, invites him to sit on her lap, but the boy refuses, saying he is merely a boy. He is well received and is offered the young daughter of the datu, named Paniguan. Then he fights the invaders by the seashore; the deaths are innumerable.She appears, offers him chew, and asks him to be her husband, saying he will be their savior. The leader of the invaders invites Tanagyaw to his country.