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Abelardo was conferred the Lifetime Achievement Award by the Film Academy of the Philippines in 1985 for his outstanding contributions to the movie industry. In 1939 he was recruited to work in Sampaguita Pictures by Pedro Vera, a provincemate who was one of the founders of the studio.

He received the Natatanging Gawad Urian from the Manunuri ng Pelikulang Pilipino in 1990 for his outstanding achievements in film. He started as a clapper boy in the films of director Carlos Vander Tolosa.

Through self-study, he learned how to operate a camera.

When Tolosa transferred to LVN, Accion was made assistant cameraman to cinematographers Remigio Young and Rafael Salumbides.

Agana’s daughter, Marita, had a short-lived stint in the Philippine movies as “Tessie Agana Jr.” Marita appeared in For You Mama, 1970, with Gloria Romero and Luis Gonzales, and in Elizabeth, 1971. She also portrayed the young Irene Marcos in Pinagbuklod ng Langit (Joined by Heaven), 1969, and was one of the children in Lino Brocka’s Wanted: Perfect Mother, 1970. He has portrayed a variety of roles: a hippie in Beatnik, 1960; a Western gunfighter who challenges Dolphy to a duel in Barilan Sa Baboy-Koral (Gunfight at Pig’s Corral) and the devil, Lucifer, in Si Lucio at Si Miguel (Lucio and Miguel), 1962; and a wacky private sleuth in Detective Kalog and a fierce tribal chieftain in Tansan vs. Their siblings, Gabriel and Marita, work as model makers. All, except Ang Klon, have won awards in short-film festivals of the Experimental Cinema of the Philippines (ECP) and the Cultural Center of the Philippines (CCP). She played her first lead role in Jingy, 1967, opposite Fernando Poe Jr. He was married to Ester Hugo with whom he has seven children.

Agana received the Maria Clara Award as best child actress of the year for her dual role performance in Eddie Romero ’s Prinsesa at Pulubi, 1951, an adaptation of the famous classic, The Prince and the Pauper. By the time she appeared in the remake of Cofradia, 1973, in the role popularized by Gloria Romero in 1953, Alajar was already a Sampaguita contract star. His parents are actor Etang Discher and businessman Igmedio Tagle. Tarsan, 1963; Panchito has also appeared on television, as a regular co-host of Dolphy in the long-running Buhay Artista in the 1960s, and as guest actor in many other shows. The Alcazaren brothers have made eight animated films using clay: Hari (King), 1982; Headset and Huling Trip (Last Trip), 1983; Juan de la Cruz and Pagpula (Becoming Red), 1984; Ang Klon (The Clone), 1985; and C. In 1992 Juan exhibited his metal sculptures at the CCP Small Gallery. Among her later notable performances was in the film directed by Behn Cervantes, Sakada (Seasonal Cane Worker), 1976. Alvarado played his first bit role in Halik sa Bandila (A Kiss to the Flag), 1948, and his first starring role in Alyas Chain Gang (Alias Chain Gang), 1967.

From the Asian Film Festival, he received the best cinematography award twice: the first time for Anak Dalita when it swept all the awards including best picture, and the second time for Badjao, when his work was singled out as best photography in black and white.

His other movies that received nominations in the best- cinematography category are: Tanikala and Working Girls, Urian; Brutal, Moral, and Desire, MMFF; The Graduates, Pinulot Ka Lang sa Lupa (You Were Merely Plucked From the Earth), and Nagbabagang Luha (Blazing Tears), Film Academy of the Philippines (FAP) Awards; and Hari sa Hari, Lahi sa Lahi (King to King, Race to Race), Star Awards. To him have been attributed such awesome and wondrous cinematic effects as human princes turning into figures of stone and vice versa in Ibong Adarna (Adarna Bird), 1941; the fantastic floating castle in Prinsesang Basahan (The Princess in Rags), 1949; the biblical Red Sea parting at the stroke of a cane in Tungkod ni Moises (Moses’ Cane), 1952; handsome Jaime de la Rosa transformed into a horrifying bat creature in Taong Paniki (Bat Man), 1952; Bayani Casimiro dancing upside down from ceiling-to-wall-to-floor in Big Shot, 1956; and the terrifying giant reptile monster sowing havoc in Tuko Sa Madre Kakaw (Gecko at Madre Cacao), 1959. Francisco aka Botong Francisco for the production design of some films that he directed, among them: Haring Kobra (King Cobra), 1951, where a mythical Balinese country near the Philippines was created; and Higit sa Korona (Above the Crown), 1956, where the illusion of ancient Egypt provided the backdrop for the longest swordfight in local movie history. He finished high school at the University of Manila.

The other films Abelardo directed include: Malikmata (Phantasm) and Engkantada (Enchantress), 1948; El Diablo (The Devil), 1949; Mutya ng Pasig (Muse of Pasig), 1950; Ang Nuno Sa Punso (The Old Man on the Anthill) and Doctor X, 1950; Shalimar, 1951; Krus na Bakal (Iron Cross), 1954; Zarex, 1958; and Miranda and Lastik Man, 1966. He was married to Josette Collin Macalalag, sister of actor Mario Montenegro, with whom he had six children.

Among his award-winning works as director of photography are: Karnal (Carnal), 1983, Urian and Metro Manila Film Festival (MMFF) awards; Pahiram ng Isang Umaga (Lend Me One Morning), 1989, with Eduardo Jacinto and Nonong Rasca, Urian and Star Awards; and Misis Mo, Misis Ko (Your Wife, My Wife), 1989, Star Awards. Abelardo went to the United States to train as scenic artist in early Hollywood films, such as Footlight Parade, 1933, and Charlie Chaplin’s Modern Times, 1936.

As film editor, he won the Urian award for Brutal, 1980, with co- editor Mark Tarnate. In local movies, he pioneered the art of cinematographic wizardry. His parents are Rafael Accion and Filomena Bautista.

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The Citizens Council for Mass Media (CCMM) honored him for best cinematography for A Portrait of the Artist as Filipino, 1965.

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